Online

1 Jan 2012 - 31 Jan 2014

Culture Report – Culture and Conflict / EUNIC Yearbook 2012-2013

Although a painting can never stop a bullet, a painting can stop a bullet from being fired. Culture is a central component of conflicts between different groups and ethnicities. So what could be more appropriate than using culture as a tool for conflict resolution? After

4 Apr 2013

Grants for cultural journalists offered by the Romanian Cultural Institute in 2013

Call for application: Grants for cultural journalists offered by the Romanian Cultural Institute in 2013 The Romanian Cultural Institute offers 10 grants of 1,500 € each that cover the expenses of the foreign grantees during their one-month stay in Romania. In order to

Lettre Internationale - nr. 101-102 / spring - summer 2017

To our readers The American philosopher Costica Bradatan, of Romanian origin, obtained an important international success with his book about the lives of philosophers (which we discussed in a previous issue). He emphasized that some philosophers actually live their

Surrogate Animals

When I was little, during Ceausescu's time, I was lucky to have a godmother in Germany whose mother, Oca, not only was an ideal nanny but she also used to send me wonderful things, which went far beyond a socialist child's imagination. That is how, for my sixth

ABOUT US

Plural is an English-language book-format magazine published under the aegis of the Romanian Cultural Institute in Bucharest, Romania (with branches in: Berlin, Brussels, Budapest, Istanbul, Lisbon, London, Madrid, New York, Paris, Prague, Rome, Stockholm, Szeged, Tel Aviv,

Primitive? In Great Company!

As I was translating with much esteem Mr. Vintila Mihailescu's text entitled Neo-Western-Supremacism, it suddenly dawned on me: the inyourpocket presentation he discusses, one fascinated with primitive Romania, shows an attitude somewhat similar to that of Englishman

RUSSIAN – EUROPEAN CURATORIAL EXCHANGE 2011

A young generation of Russian curators, not only from Moscow but also from numerous ambitious cultural centres in Russian regions, is working today partly freelance and partly as curators for young talents in institutions. These young people will decisively shape exhibitions