Nic

excerpt While they were rushing on horseback towards Curtea de Arges, the boy was thinking about Voiena. He could not work out if he still felt something for her. He remembered only the taste of her kisses and the hot softness of the girl's cheek, pressed to his, while

Children shows producer at Romanian TV (ABC…Why?) If we were to take for granted the cartoons shown on TV channels, we should start to weep. All we see are super-heroes, hysterical girls, violence and characters permanently ready to fart or to burp. . . that's what

click here to see more (in Romanian) Artistic director ABC. . . Why? I am quite familiar with puppets: as a stage director I have put on a few puppet shows, and at home I've got a live one. Now I am experiencing great joy: after seven years of television work, I'm

The idea of founding a puppet theatre as a means of improving health education among children, and the relationship between doctors and their little patients came from a long way off. I had read a book by Sergey Obraztsov, one of the best known and appreciated Russian puppeteers.

www. teatrultandarica. ro ŢĂNDĂRICĂ theatre was founded in 1945 and its first department (that of marionettes) was led by actress Lucia Calomeri, helped by scenographers Elena Pătrăşcanu, Alexandru Brătăşanu, Lena Costache and Ileana Popescu. Director Nicolae

The first traces of puppets were revealed by the archeological diggings of Cucuteni, Jassy county (and later in other areas). Sites from the Neolithic (6. 000-3. 000 B. C. ) have been examined and numerous figures made of bone or clay, which were probably used for religious

The echo of the rich activity of Romanian theater for children on four continents has surpassed even that of theater for adults. This was possible because, in 1965, eleven countries, including Romania, founded in Paris, ASSITEJ – the International Association of Theater

www. teatrulioncreanga. ro Manager of Ion Creangă Theatre Ion Creangă is a children's theater whose shows are inspired from fundamental themes of childhood mythology and oriented towards culture and education. The current repertoire includes: Pinocchio, Puss in Boots,

click here to see trailer Present-day Romanian film lives a new childhood, if we consider at least the representatives of the New Wave, who are young and very young film directors with ages between 20 and 30. That is why their films are naïve, very close to childhood or

Gopo's Little Man (see Short History - click on Scurta istorie to see movie) I have been studying the Gopo archive belonging to the National Film Archive for some years, and now the first volume goes to print. It contains only a part of the legacy left by the film genius,

In 1954, the great Romanian ethnomusicologist Constantin Brăiloiu (1893-1958) held a scientific presentation at Colloque de Wegimont in Belgium that amazed all specialists present in the audience, because it unsettled all theories regarding the musical culture of children

Mom and Dad weren't well-off or anything and, apart from that, the 60s offered only a limited choice of toys, at least in our neck of the woods. Back when he was working for the Maintenance Department of the Bucharest Transport Services, Dad would bring me – on Father