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The message addressed to international surrealism. Theoretical contributions and techniques proposed by the Romanian surrealists Between 1938-1940, two young Romanian poets, Gellu Naum and Gherasim Luca, were in Paris – Naum to study philosophy, and Luca as the precarious

1922-1928. The Beginnings. Magazines and Manifestos. The Intellectual International. The Theorizing Machines. 75 HP – the New Start of the Romanian Avant-garde. Integralism and Synthesis. Synchronism and Internationalism The first avant-garde magazines and manifestos

The year 1900. Europe's countries are divided on the question: does the 20th century begin in 1900 or in 1901? Some opt for 1900, by virtue of the change in the figure of the hundreds. Others are partisans of 1901, for reasons of more sophisticated arithmetic. Particular

B. Fundoianu began to publish persistently and regularly in 1918, when he was twenty; with the determination that characterized him, he embarked upon a tireless mission that took all the attributes of a vocation: that of a messenger of French – hence European – culture

As everything modern, the fantastic mode, which seems to be still one of our great favorites in these last years of the modern millennium is to be defined through the series of transformations of the traditional forms of the fantastic art. In her excellent reference book

I wonder if nature always plays the same game (Einstein) Of course I was coming from sleep, how else is a day supposed to start? However, I didn't know much about the world I was coming from. On the other hand, the world I had landed in should have been very familiar

(from: Chapter 5 - The Map of Metopolis Scaled 1:1; Chapter 4 - The Rail Car of the Millionaire, and from At the Armenian's Tavern and Once Again at the Armenian's Tavern - Chapters 3 and 6) If you are far, far away from the city and take a completely different

The wire that I had failed to see hit me below my knees. The earth turned, the boles propped against the stars somersaulted and I no longer heard the whistles. The red bells started to toll. Whipped up by the rain, the smell of weed and death that had simply been the breath

Einem gelang es – er hob den Schleier Goettin zu Sais. . . Novalis I One morning in the autumn of 1934, a messenger brought me a rather strange letter, adding he was waiting for an answer right then and there. The letter was from a lady, Mrs. Zerlendi, whose name I had

A quarter of an hour to Mînjoală's Inn. . . from there, to Popeştii‑de‑sus, a post mile: at an average ambling pace, an hour and a half. . . The horse is good. . . if I feed it at the inn and let it rest for three quarters of an hour. . . it keeps going.

I certainly am neither the first, nor the only person to notice that the fantastic appears as a distinctive feature of Nordic, non-Latin peoples, rather than of the meridional spirit. The solar, mercantile, skeptical-rationalist South, and the sanguine, outgoing, relativistic

The early-20th-century major Romanian art is not a block, but a very particular construction of intertwined cultural layers. One could not affirm that the most fertile and valuable Modern cultural period of this country was characterized by a certain, homogenous Romanian