Modernism

top row: Lipscani diggings, Unirea shoping center, house in Romanian Peasant Museum yard, National Museum of Contemporary Art bottom row: Collections Museum on Calea Victoriei, University Sq. , dilapidated building on Lipscani St. , old house on Mantuleasa St. It seems

O Moft! Thou art the watchword and motto of our times. Vast syllable of unbounded content, in thee there is such comfortable room for countless meanings: joys and misfortunes, merit and infamy, guilt and misadventure, right, duty, sentiments, interests, convictions, politics,

El Museo Nacional de Arte de Bucarest tiene, aunque pueda resultar sorprendente para esta parte de Europa, una buena sección de arte español antiguo. La pintura de la contrarreforma se pone de manifiesto en la obra maestra de Alonso Cano, Cristo en la columna que causó

Me sucedió en esta vida la cosa más triste posible: de poeta he llegado a ser autor. Creo que fui un poeta verdadero alguna vez, en mi adolescencia, cuando aún no había publicado – y, salvo mi diario íntimo, tampoco había escrito – nada. Es mi estado ideal, perdido

The year 1900. Europe's countries are divided on the question: does the 20th century begin in 1900 or in 1901? Some opt for 1900, by virtue of the change in the figure of the hundreds. Others are partisans of 1901, for reasons of more sophisticated arithmetic. Particular

I wonder if nature always plays the same game (Einstein) Of course I was coming from sleep, how else is a day supposed to start? However, I didn't know much about the world I was coming from. On the other hand, the world I had landed in should have been very familiar

I certainly am neither the first, nor the only person to notice that the fantastic appears as a distinctive feature of Nordic, non-Latin peoples, rather than of the meridional spirit. The solar, mercantile, skeptical-rationalist South, and the sanguine, outgoing, relativistic

The early-20th-century major Romanian art is not a block, but a very particular construction of intertwined cultural layers. One could not affirm that the most fertile and valuable Modern cultural period of this country was characterized by a certain, homogenous Romanian

excerpts NOISES OF THE CAPITAL For reasons I cannot exactly explain, the flow of ideas circulated by the independent press has strikingly dwindled to a mere trickle. One can only put it down to the times of fatigued irritation we are living through as we wait for the much

Architecture represents a means of interrogating history. Rather ominous, it is to be feared, when the question applies to the Romanian capital. Why so? The way Bucharest has been subjected to transformations in the last century accounts for the living changes affecting

Modernism has brought to paroxysm the need of personal mythologies, immanent to Western civilization. No wonder that some of the heroes and saints of the avant-garde came from those peripheral European territories still uncharted from a spiritual point of view. By the beginning

Women artists (originally women-painters) became a reality in Romanian culture only by the turn of the 20th century. Barely having an artistic tradition of the western kind (that is, academic), the national cultural milieu in the 19th century was rather deprived of a professionally