Iona

Scipio The African

This time I am forced to avoid disclosing both his name and that of the school where he taught the same subject-matter as Anghel Demetriescu: history. But how remote the two teachers were! The fine stature of the former - who was a scholar relying on thoroughgoing studies

A Very Lucky Man

My friend Mr. Manolache Cuvidi is a well-known character in our society; he is a man of substance, his rather comfortable wealth has been earned through honest work; he's an intelligent and earnest fellow, an ideal husband and an ideal father of a family. Given so many

A Favour

Act One A wretched land, Sir! The country of ill-granted favours! was telling me at the height of our discussion, Mr Ibrişim an elector to the first collegium, bitterly criticizing our various administrations. Only now and then interrupting himself in order to drain a

The Gypsiliad

CANTO THE TENTHArgument Considering the counsel vainOf all the rank and file, The Gypsies chose those of schooled brainTo gather for a whileAnd judge what government is goodFor the entire Gypsihood.  1Now when the maw is well provided for,The mouth is ready and the tongue

Brâncuşi Vs. Brâncuşi

Modernism has brought to paroxysm the need of personal mythologies, immanent to Western civilization. No wonder that some of the heroes and saints of the avant-garde came from those peripheral European territories still uncharted from a spiritual point of view. By the beginning

Quotes On And From Brâncuşi

Simplicity is not an end in art, but one arrives at simplicity in spite of oneself, in approaching the real sense of things. Simplicity is at bottom complexity and one must be nourished on its essence to understand its significance. Catalog of Brâncuşi exhibition, Brummer

Eugen Ionesco - Interviews

UNDER THE QUESTION MARK: MAN If you were asked to portray yourself as you did in your books, diaries, or in Present Past, Past Present, how would you introduce yourself? Eugène IONESCO: It is very complicated. I don't know. I don't know who I am. I don't

Eugene Ionesco De L'Académie Française

The founder of the Theater of the Absurd (with The Bald Soprano, staged in 1950 by Nicolas Bataille at the Theatre des Noctambules in Paris, a play he had begun in the 40s while still in Romania under the title English without a Teacher), a member of the French Academy from

About Critics

You like any book if you want to. You dislike any book if you want to. I believe literary criticism is useless, and I believe literature has no metaphysical significance. If I do literary criticism, I do it because I have nothing else to do. I do not feel I am committed

About Literature

I see literature as a mere social occupation and those who do literature as a mere guild, such as shoemaking, binding books, law, politics, carpentry, and so on. No other guild is as vain and presumptuous as the poets'. The shoemaker does not claim he does a metaphysical

The French Literary View On Enescu's Sense Of Yearning

It has been said – for good reason – that the Romanian word dor [aprox. yearning] is untranslatable, which made all foreign lexicographers leave it in its original form in most literary texts. But in music there is also a dor enescian [Enescian yearning], which someone

Famous People About Enescu

Alfredo Casella: Enescu is delicate and sensitive, communicative too, like all Latins. Despite his spontaneous and amazingly rich inventiveness, his creation illustrates a process of will, which no artist can overlook. I have seen such a perfect accord between intention