Identity

Ediție în limba engleză, apărută la Editura ICR în cadrul festivalului EUROPALIA ROMÂNIARomanian Cinema Inside Out: Insights on film culture, industry and politics (1912-2019), coord. Irina TrocanCuprins/ ContentsIntroduction - Irina TrocanVideograms of a NationRomanian Independence:

Romanian Performing Arts. Perspectives - CuprinsIrina Ionescu IntroAlice Georgescu An Alternative View of Alternative TheatreIulia Popovici Stage Politics in Contemporary Romanian TheatreMonica Andronescu Independent Theatre in Bucharest Entertainment beats ExperimentLudmila

see Gallery The cultural and historical essence, identity and creative source of a nation all reside in its cultural heritage. It therefore has considerable historical, aesthetic, sociological and scientific value, and should be protected by society through laws, institutions

The ornamentation of Horezu ceramics The main characteristics of the geometric ornamentation of Horezu are the use of simple elements and preference for curved lines. The geometric elements used as decorative motifs are: dots, lines, circles, spirals, zig-zag, semicircles

see Gallery In the case of primitive or rural cultures, one can undoubtedly speak of elements of ecology well before the term itself was ever used. This is even more natural when considering that the life of traditional communities maintained an organic relationship with

Fin-de-siecle offers inestimable keys for the understanding of the emergence of a literary age that has never lost its defining profile. Coming from the outposts of Third Millennium post-modernism, Wounded Identities looks at mysteries that a century ago led towards the

Both me and the editor of the show listened with great delight to the story of the young American, of Romanian origin, who had come back to Romania in search of his roots and to set up a business. The young man had married a girl from Humuleşti, and now he spoke wonderful

In those days they used to go to the Eastern Station, visiting some acquaintances: friends, as they might, after all, also have called them. Except that on this point, at least, Olga was right: they were not their friends; indeed, there was no way or time when they could

Bucharest is a city that is difficult to describe, and difficult is a term that tends to suggest the word impossible. Many of us have probably at least once in our lifetime been in the situation of talking about the city that we live in. And, just as probable, among the

from left: Antiques store on Covaci St. ; National Bank on Lipscani St. ; Victoria department store; Dimbovitza river. The navel of the city: one couldn’t find a better name. There was once an umbilical cord. Through it, Bucur’s shepherds village used to receive, no

1 2 1. Hotel on Victoria Road. The remake of the former National Theatre façade kept this operation away from the attacks against the tall buildings from the historic center. 2. The replacement of the old buildings from Lipscani area. The pseudo-classical pediment and

Well, then, Dilema Veche intends to host a series of comments on the state of the city in which we live, to which some of us are bound, by birth, others by a life experience that is getting longer and longer, and which we want to defend against the aggressive attempts to