Identity

The Collections Of The ‘Grigore Antipa’ National Museum Of Natural History

see Gallery The cultural and historical essence, identity and creative source of a nation all reside in its cultural heritage. It therefore has considerable historical, aesthetic, sociological and scientific value, and should be protected by society through laws, institutions

The Ornamentation Of Horezu Ceramics

The ornamentation of Horezu ceramics The main characteristics of the geometric ornamentation of Horezu are the use of simple elements and preference for curved lines. The geometric elements used as decorative motifs are: dots, lines, circles, spirals, zig-zag, semicircles

Traditional Animal Ecology

see Gallery In the case of primitive or rural cultures, one can undoubtedly speak of elements of ecology well before the term itself was ever used. This is even more natural when considering that the life of traditional communities maintained an organic relationship with

Cristina Chevereşan - Wounds and Deceptions. Decadent and Modernist sensitives on the edge, 2006, 328 p.

Fin-de-siecle offers inestimable keys for the understanding of the emergence of a literary age that has never lost its defining profile. Coming from the outposts of Third Millennium post-modernism, Wounded Identities looks at mysteries that a century ago led towards the

An American In Bucharest

Both me and the editor of the show listened with great delight to the story of the young American, of Romanian origin, who had come back to Romania in search of his roots and to set up a business. The young man had married a girl from Humuleşti, and now he spoke wonderful

Eastern Station

In those days they used to go to the Eastern Station, visiting some acquaintances: friends, as they might, after all, also have called them. Except that on this point, at least, Olga was right: they were not their friends; indeed, there was no way or time when they could

A Puzzled City

Bucharest is a city that is difficult to describe, and difficult is a term that tends to suggest the word impossible. Many of us have probably at least once in our lifetime been in the situation of talking about the city that we live in. And, just as probable, among the

The Circle Without A Center

from left: Antiques store on Covaci St. ; National Bank on Lipscani St. ; Victoria department store; Dimbovitza river. The navel of the city: one couldn’t find a better name. There was once an umbilical cord. Through it, Bucur’s shepherds village used to receive, no

New Buildings And Old Facades In Bucharest

1 2 1. Hotel on Victoria Road. The remake of the former National Theatre façade kept this operation away from the attacks against the tall buildings from the historic center. 2. The replacement of the old buildings from Lipscani area. The pseudo-classical pediment and

In A City Which Used To Be European

Well, then, Dilema Veche intends to host a series of comments on the state of the city in which we live, to which some of us are bound, by birth, others by a life experience that is getting longer and longer, and which we want to defend against the aggressive attempts to

I No Longer Love Bucharest

I no longer love Bucharest. I'm no longer hoping something can be done about this dump of Europe An interview with Mircea Cărtărescu by Ion Longin Popescu Slowly but surely, the old, historic Bucharest – the little that was left after Ceauşescu's demolishing

Horizontal Archeology

They used to call it little Paris for its French-style buildings and atmosphere. But now Bucharest looks like a little globalization of various epochs. The trouble is that you do not have to dig vertically for those epochs like archeologists, because builders have amassed