Constantin brancusi

B. Fundoianu began to publish persistently and regularly in 1918, when he was twenty; with the determination that characterized him, he embarked upon a tireless mission that took all the attributes of a vocation: that of a messenger of French – hence European – culture

The early-20th-century major Romanian art is not a block, but a very particular construction of intertwined cultural layers. One could not affirm that the most fertile and valuable Modern cultural period of this country was characterized by a certain, homogenous Romanian

The history of Bucharest art museums begins in 1836, when the painter Carol Wallenstein inaugurated the first of them on the premises of St. Sava high school. In 1864, the School of Fine Arts was established. The concept of a museum exists in every art collection, thus many

The Chimera, a sculpture carved in oak wood between 1915 and 1917-18, currently exhibited at the Philadelphia Museum of Art, has so far attracted but limited exegesis. Petru Comarnescu, in a conference held in Craiova in 1957, made reference to the body streamlined as to

Director of the George Enescu Philharmonic in Bucharest At a certain point, the evolution of Romanian culture goes through a moment when, owing to strong personalities, the distance separating it from the level attained by the universal culture is suddenly annulled, and

Minority ethnic groups have usually developed some separate cultures within the larger framework of the majority. Their particular language and specific customs generally single out such societies. From the cultural point of view, the main characteristics of a minority society