Cameră

The Children's Crusade

excerpt Attention on platform three! Please stand clear of the edge of platform three! The special train is now arriving from Oradea! Attention on platform three! Please stand clear of the edge of platform three! The special holiday train is now arriving from Oradea! The

Ryna, A Film By Ruxandra Zenide

Color photo©2000-07 OutNow. CH: Dorotheea Petre in RynaB&W photo©2000-07 OutNow. CH: Ruxandra Zenide click here to see trailer A Pacific Films/Strada Film/Elefant Films/TSR co-production. Produced by Eric Garoyan, Xavier Ruiz, Catalin Mitulescu. Directed by Ruxandra

The Danube Delta Seen Through The Eyes Of Ion Bostan

Ion Bostan was born in Bucovina, in the city of Chernowitz (Cernăuţi) on December 15, 1914. He was an important personality in the history of the Romanian documentary film. I accompanied him as he was shooting for a number of his films in the Danube Delta. I can, of course,

Nightfall On The Lake

He'd come with his head down, as if searching for something among the rocks on the road. What could he have possibly found new here, in a land surrounded by waters, on the shore laden with miasma? The narrowness of the bank? He knew all about it; the shiny grit? –

Spoonbills

At times, in vernal Romania, one may observe large birds migrating in triangular formation, high above towns, in a north-westerly direction. Their elongated necks remind one of our storks, still – the swift, fast propelling pinion flaps make one acknowledge a different

Pelicans...Pelicans... Truth And Myth

excerpts The Austrian Eduard Hodek made a series of trips on the lower Danube between 1869 and 1886, which resulted in his thorough studies of the Danube pelicans and brought important contributions to the information on their life and habits. At the time, birds nested

The Delta Dictionary

excerpts Abroad. An incredibly large number of young people have gone abroad. To study, to work. The ego of those living in the countryside is much bigger. On entering Sarinasuf, there is only the sign marking the exit from the village. The sign that marks the entrance

I Put My Head...

I put my head – I pledged my head – in a bowl of plaster, right ear first, then left ear. The molding caught my hair and I had a hard time taking my head out; I had to cut my hair. Then I had to crop it, and from the cuttings I added to what had been caught in plaster,