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excerpts Chapter IIISolitude Generally, the Romanian folk poetry shows a tendency toward an ideal and transparent world, which is full of serenity. The frequency of the optimistic motifs proves to what extent it would be good to know this surface only, but an inner disquiet

excerpts We have wondered many times if it is possible to find or to hypothetically build a matrix-space, or an unconscious spatial horizon, as an underlying spiritual layer for the Romanian folk culture anonymous creations. The subject is worth the risk of any and all

Chapter X. The Influence of Physical Factors. The Climate and the Geographical Position The crystalline atmosphere that envelops the Carpathian Mountains and the hills of Oltenia and Moldavia resembles perfectly the atmosphere from the mountains and hills of Florence. Wallachia's

Many are the peoples that crossed the land over which Romania extends today. They left their mark in ancient Dacia, Moesia and Thrace, in the Greek colonies, Roman provinces, and Byzantine themes. The indigenous populations blended with the newcomers and produced a Romance

The esthetic appreciation of the external aspect of the Romanian imposed a non-differential consideration of the two sexes. However, the image of man has usually been in the foreground. To balance things, the numerous descriptions of Romanian women must be reminded. The

excerpt The authentic, unaltered Romanian population is to be found especially in the mountains of Transylvania. These vigorous mountain people, so beautiful in their lively colored national costumes, are very interesting in the eyes of those who want to study the customs

Foreword The few words that I put as motto at the beginning of this book can be translated like this: God must have had a hidden plan for this people that the western states rediscovered on the banks of the Danube and adopted like Pharaoh's daughter adopted Moses.

Toward the end of the Middle Ages, the Romanians, until then living in their traditional peasant autonomies, which stand for an entire, complete political order with archaic roots, arrived, after the abolition of anarchy, at their boundaries and, on one side, because of

Schwerin Founded by Heinrich der Lowe in 1160, the city today is worthy of its eight-century tradition. It abounds in vestiges – proudly and understandingly nurtured – of a history that is comprehensive in what regards the cultivation of music, too. The notes that I

Conductor Constantin Silvestri's first contact with the music of the Occidental world represented a shock because the entire classical and modern music deeply imprinted on the consciousness of the public was utterly shaken by a new, contemporary, vital spark of the

Aida, March 17, 1920. I waited for it. With the justifiable, feverish impatience you feel before an ideal dream comes true!, wrote the Rampa magazine on March 18, 1920, hailing the opening of the first lyrical season. People liked the cheap, but very beautiful stage design,

On 20 November 1921 an enthusiastic letter written by the poet Cincinat Pavelescu is published in Rampa, a letter which we see fit to transcribe in full: Dear Mr. Editor in Chief, My life's absorbing activities of incessant work at the head of a newspaper without any