Dezbatere despre Radio Europa Liberă, în Festivalul Naţional de Teatru
Pentru români, un factor care a menţinut, de facto, libertatea spiritului unui întreg popor a fost Radio Europa Liberă. La 30 de ani de la căderea comunismului, Festivalul Naţional de Teatru şi Radio Europa Liberă organizează sâmbătă, 19 octombrie, de la 12.
Lettre Internationale nr. 109 / primăvara 2019
A apărut noul număr, 109, al revistei Lettre Internationale, editată de Institutul Cultural Român. SUMAR 109 Retrospective Șerban Pavelescu – Steaua norocoasă a României . . . . . . . . . . . . . . . . . . 3 Lesley Chamberlain – Revoluția rusă
Lettre Internationale nr. 108 / iarna 2018 - 2019
A apărut noul număr, 108, al revistei Lettre Internationale, editată de Institutul Cultural Român. SUMAR RETROSPECTIVE Șerban Pavelescu – Alianțele României Mari . . . . . . . . . . . . . . . . . . 3 Dan Ciachir – Reminiscențe . . . . . .
„Tibor Ernö” - monografie trilingvă
„Creaţia bogată a lui Tibor Ernö s-a bucurat de-a lungul timpului de aprecierea celor care au scris despre opera sa şi i-au subliniat, în paginile ziarelor, trăsăturile distincte şi modernitatea, începând chiar cu prima lui expoziţie personală importantă
2010
INTERSECŢII. Înainte de sărbătorile de iarnă - OBSERVATOR CULTURAL Autor Michael FINKENTHAL Nr. 556-557, 23 decembrie 2010 Sînt în Haifa şi profit de ocazie pentru a da o fugă pînă la Ein Hod, satul pictorilor întemeiat după 1948 de Marcel Iancu, pentru a
NR. 64 - iarna 2007-2008
SUMAR NR. 64 Pagini autobiografice Péter Esterházy – Harmonia cælestis Ion Vianu – Supunere, împotrivire, exil Dincolo de eveniment Jacques Rupnik – Populismul în Europa Centrală şi de Est Jacek Kochanowicz – Virajul la Dreapta Cultura – cardiograme
Traveling To Bucharest Between The Wars
A French historian said once that the work you would best like to dedicate your time to is the one that seems to compel you to do so. This is what happens to me right now. Urged by a real passion for knowing the events and forerunners that once lived in this place, I have
Eugen Ionesco - Interviews
UNDER THE QUESTION MARK: MAN If you were asked to portray yourself as you did in your books, diaries, or in Present Past, Past Present, how would you introduce yourself? Eugène IONESCO: It is very complicated. I don't know. I don't know who I am. I don't
About The United States
Sometimes I happen to have beautiful utopian dreams. Sometimes I dream that it was not Lenin in that sealed car crossing Germany and going to Russia in 1917, rather there were three or four odious American capitalists: Russia, Europe would have been saved. Imagine all those
Museums: What They Are And What They Must Be. The Example Of America
We think too often that a museum is a repository where you discard all sorts of objects. Arts, history, natural sciences, technology, curiosities. You place exhibits from all these domains into bright and spacious halls; you range them nicely one next to the other and sometimes
At Home We Speak In Whispers
* Excerpts from an interview with prose writer, political analyst and journalist Stelian TĂNASE (Observator cultural no. 121, 18-24 June 2002) Why did you choose to publish At Home We Speak in Whispers at this particular moment? Books come and go in a writer's imagination.
Political Diary 1939-1941
Paris, February 7th, 1939The phone wakes me up: it's George, who calls me from Algiers. He keeps waiting for his plane to be repaired. The thought that he left on an old jade – as he says – worries me. I remember my mother-in-law's words and I agree with her: