Nicolae Grigorescu

Paul Neagu's Century Cross was set up at Charles de Gaulle Plaza (the former TelevisionPlaza), Bucharest, in September 1997, as a memento of the 1989 anti-Communist riots. It is a six meter wide lenticular bronze disk with a large cross pattern on both faces made up

The history of Bucharest art museums begins in 1836, when the painter Carol Wallenstein inaugurated the first of them on the premises of St. Sava high school. In 1864, the School of Fine Arts was established. The concept of a museum exists in every art collection, thus many

As a princely seat Bucharest was once, for the Romanian authorities, a citadel watched over by God just like Byzantium was for the Eastern Christian world. Then, naturally, it was also the place where scholars needed by the Prince's Chancellery made their studies. They

The Romanian Peasant's Museum Motto: A photo is a secret about a secret. The more it tells you the less you know.  At the beginning of the 20th century, Alexandru Tzigara-Samurcaş1 was wandering around the villages of Oltenia and Bucovina, looking for folk art objects.

The old painting gallery of Ploieşti, established in 1931, represents the starting point of the Art Museum in Ploieşti, part of the current PrahovaCountyArt Museum. This painting gallery was established in the 1930's, very productive years for the appearance of galleries

After having been closed for consolidation, restoration and reorganization, the Museum of Art Collections, housed by the former Romanit Palace, restores to circulation fourteen collections, exhibited in the building facing the Grivita Road. The building was closed in 1986

Director, Museum of Art Collections A magic and impartial destiny decided that, at the celebration of a century since the materialization of the idea of art collection and art collector, the reopening of a Palace of Collections should take place. An initiative, disputed

1947. The year of the most despotic deeds of the communist regime come to power in the shadow of the Soviet tanks. The ordeal of the Romanian intellectual elites (and not only) begins. The Slătineanu family find themselves treated like common criminals. The whole family

22 Spătarului Street, Bucharest (see also in Romanian with illustration)  The siblings Béatrice and Hrandt Avakian set up their collections independently, nevertheless evincing a shared predilection towards Eastern art, to be accounted for among others, perhaps, by the

(see also in Romanian with illustration) Garabet (Garbis) Avachian (1907-1967) was an eminent violin professor with the Ciprian Porumbescu Conservatoire in Bucharest; among his students may be counted several laureates of international contests. This talented musician undoubtedly

Virgil Cioflec, later to become a writer and a collector, stands out amongst the moral and financial supporters of the initiators and founders of Artistic Youth Society (December 1901). With some of its founders, Gheorghe Petraşcu, Ştefan Popescu, Kimon Loghi, Ipolit Strâmbulescu

Simu Museum A conservative MP in the 1888, 1891 and 1899 parliament sessions, Anastasie Simu finally became tired of the Machiavellian political life in Romania at the end of the 19th century; realising he had no prospects to achieve momentous social and cultural events