Victory Street
The dancing tea partyGuţă Mereuţă was indeed waiting, sad, with a proboscidean long nose. He couldn't dance. He had nothing in appearance or in speech that could have attracted a woman. His eyes pushed aside, towards the temples, by the broad root of the olfactory
Grigoraş Dinicu: Memoirs
excerpt These lines will introduce us into the international career of the great violin virtuoso. At the height of his career, Grigoraş Dinicu carried across the world the fame of Romanian fiddlers and of the rich Romanian folk song. After the creation of the Bucharest
At The Royal Cinema
The Lumière Brothers' toy, perfected year after year, challenges Thalia and Melpomene and the people of Bucharest take cinemas by storm. Businessmen are quick in smelling money, and thus many individuals whose energy used to be spent at the haberdasher's or on
At Grandiflora
excerpt In the town square, behind Gustav Café, there is the variety entertainment ale-house with the strange name Bucharest Hotel (it has room only for women-artists), Mr. Cocoşel's winter public house. Ancient house, rather long and low, the hotel twinkles its
Ion
excerpt The pub was no better than other houses in the village, it just had a tiled roof and, in two little wire-netted windows overlooking the street, bottles of coloured drinks, jars of motley bonbons, and various other merchandise sought after by peasants. The front
Tănase Scatiu
excerpt At Scatiu's they had prepared two tables: one for the minister and for the high-brow people, in the large dining-room; the other, for the rabble, in a room downstairs. Scatiu's plans were really great; he wanted to offer the minister a feast of fifty people,
Childhood Memories
excerpt At sundown we'd trail back to the boarding house, have a quick bite, and then entreat Gaffer Bodranga to pipe unto us. Theology students would converge in droves upon our place, for it had come to be their haunt; and we'd dance the whole night through,
Old And New Squires
excerpts Chapter XV. Scenes of Social Life The beautiful autumn days of the year 1817 had already flitted along with the joys they bring to pass for the inhabitants of Romania. Winter had made quite an early appearance and the western wind had by now started to blow in
Descriptio Moldaviae
VIII. On the customs of the court And on the days when there are no banquets, the table for the Prince's lunch is more often than not laid in the small hall, but often enough also in the big hall or in the women's quarters (gynaeceo). Two of the high rank boyars
Woolen Gardens
European travelers such as Antonio Maria del Chiaro were struck long time ago by the uncommon abundance of woolen carpets in each Romanian home, be it aristocratic, bourgeois or peasant. Carpets were laid mainly onto the walls of the rooms, but they also covered the beds,
On Snatched Souls And Their Stories
Popular belief has it that Death is an old crone, carrying a scythe. She scythes people and snatches away their soul. Or she sips their breath and again, snatches their soul. Or simply touches them lightly but cruelly with her frozen wing. And snatches their soul. As a child
The Romanian Death Iconography Or A Different Kind Of Assisted Death
In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique