Mircea Eliade

Journeying to people instead of places is the reverse of the current, holiday-bound view on travels. Indeed, the projected picturesque of the surprising landscapes is the main constituent mesmerizing people into moving at great distances, sometimes despite the difficulties

excerptI will never forget the nights spent with Bogdanof and Van Manen around Calcutta, in Serampore and Titagarh. Bogdanof, who had been the consul of the Tsarist Empire to Teheran and Kabul for ten years, was at the time my teacher of Persian. He had made friends with

C. H. R. – I was telling myself: how can a man like Mircea Eliade experience the diversity of idioms, cultures, fatherlands, abodes, countries? I begin to understand this now and yet would like to ask you how fatherland and the world interrelate in your inner self?M. E.

We are all collectors. Whether it is paintings, art objects, CDs, books, stamps, insects, pipes, watches, posters, napkins, match boxes, memories, connections and many other artful, useful or simply useless things, everybody has the instinct of gathering in a personal collection

If ever I ventured to write a treatise on the savoir vivre, I would not neglect to address, in an entire chapter, the art of whiling away. It seems to me that this type of happiness – which is, equally, an admirable instrument of knowledge – has long been forgotten.

Myth as a source of folkloric artistic manifestations continually delineates new territories waiting to be re-discovered. In the moments of mythological reconstruction a process of sifting the essences is kindled, which fascinates and re-sizes the participants in a meta-real

We have been acquainted with the fundamental myths of Romanian spirituality in Mircea Eliade's view and read his comments on the legend of Master Manole, the legend which, according to Eliade, certifies that myth is essential to the process of artistic creation, and

To the achievement of literary impact, Argeş Monastery comes up with a simple and ingenious solution: the absolute contrast between the soft and caressed tenderness of form, on the one side, and the wild graveness of the underlying tragedy, on the other. In the style and

In his opening speech at the inauguration of the Village Museum, Professor D. Gusti said: …We did not have the example of open air museums from the northern countries, such as Skansen, Bigdo or Lillehammer. They convey us too much romantic and ethnographical merit, focusing

Healing plants grow under Christ's cross and out of the blood of our Saviour. People in Germany and Norway believe that the grass of Sânziene (Hypericum) grew roots from the Saviour's blood drops. Other legends tell that the same plant was born from the blood

excerpt THE ROMANIANS' SPIRITUAL LIFE The Two Myths of Romanian SpiritualityIn any culture, there is always a central myth that discovers it and that is to be found in all its major works of art. Romanians' spiritual life is dominated by two myths that express,

Romanians of more recent generations, but also some of the older ones, who were born before the Soviet occupation, and the instauration of communism in this country, without reaching then intellectual maturity, look to the period that was cut short in 1948 as a privileged