Mihalache

The legend is part of the martyr-cycle and it contains fairy tale elements (the dragons), which is not unusual in hagiography, as shown in the last chapter. It was copied by the parson Grigore from Mahaciu before 1600 after an original that has been lost. It is still preserved

Most of the characters of Romanian fiction are outcasts and misfits and they duly suffer from it. This is not surprising, given the high speed of change experienced in the past two hundred years of Romanian history. When circumstances alter in such a rapid way, the individual

ArgumentI have always regretted the lack of raw erotic detail in the most remarkable works of fiction. This frustration is by no means compensated for by the high availability of lurid, pornographic books. When reading fiction, I do not look for arousal, but for precision.

When the Hungarians conquered Transylvania, several Romanian noblemen decided to adopt Hungarian language and culture, in order to get prominent positions in the establishment. The most famous is, of course, Hunyady János, called, in Romanian, Iancu de Hunedoara. He eventually

excerpts The gradual development of a cultural Moldo-Walachian elite of Albanian origin, that was able to manifest an awareness of the cultural identity of its origins through certain activities in this respect, an elite devoted to the idea of a modern and independent Albania,

L'écrivain Al. Odobescu appartenait à l'aristocratie roumaine et, conséquemment, avait été, dés son enfance, soigneusement éduqué par des gouvernantes et des précepteurs étrangers. Il a poursuivi ses études en France, à l'époque où Louis Bonaparte

In 1803, Maria Barbatescu entrusts her son to the care of ceaush (bailiff) Mihalache Barbatescu and that of stolnic (High Steward) Ghitza Palada. The will, written in the spring of that year, stipulates that the two should supervise the accomplishment of the child and the

Sumar Lettre Internationale nr. 83 RetrospectiveMircea Malița: Criza rachetelor Herta Spuhn: Încrâncenare, sarcasm, speranță Geo Șerban: Balcic – temă cu variațiuni *** Balcic – provocările privirii DIALOG Lidia Vianu – C. G. Săndulescu: „11 - 33” Dincolo