Memoria

Alexandrina Cernov, Ilie Luceac - Cernăuţi / Chernovtsy 1408-2008 (album), 2008, 158 p.

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Revista Glasul Bucovinei este o publicaţie trimestrială de istorie şi cultură care-şi propune, în primul rând, recuperarea adevărului istoric: cronologia istorică şi politică, activitatea partidelor politice, mărturii istorice, aspecte de viaţă spirituală,

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Sometimes glowing colorfully in the dusk air, as doors of museums open up for late visitors, or, some other times, its dark sky flushed by lasers for white nights of entertainment, Bucharest often begins to live and breathe anew after sundown.  White NightsNow that the

New Buildings And Old Facades In Bucharest

1 2 1. Hotel on Victoria Road. The remake of the former National Theatre façade kept this operation away from the attacks against the tall buildings from the historic center. 2. The replacement of the old buildings from Lipscani area. The pseudo-classical pediment and

I No Longer Love Bucharest

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The City's Ugliest Square

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Urban Memory: Museums Of The Romanian Capital

1st row: National History Museum, Old Court Museum, Archeology Museum (detail), National Museum of Art2nd row: Collections Museum, Zambaccian Museum, Theodor Aman Museum, Gh. Tattarescu Museum 3rd row: Storck Museum, Romanian Peasant Museum, Astronomical Observatory (detail),

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City Hall, Palace Hall, Opera, National Theater. At a news briefing held yesterday by the Ministry of Culture and Religious Denominations, Minister Adrian Iorgulescu informed the press about his conversation Monday with Bucharest Mayor Sorin Oprescu. Equally, Adrian Iorgulescu

The History Of Nothing: Contemporary Architecture And Public Space In Romania

Richard Rogers Partnership proposal, 1996People's House (Parliament) After 1989: Methods of researching the built environmentResearching Communist architecture is a tricky endeavor in contemporary Romania, where some major actors of that era are still alive, some even

Entrevista Con Mario Vargas Llosa

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Los Judios Españoles - Prefacio

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El Baile, Ideologia De Un Cuerpo Secreto

Coreógrafa En cada lenguaje de gestos confiados al escenario hay una retórica, que funciona gracias a la alternancia de un texto cerrado y un texto abierto, según senalarían Dubois, Edelin o Minguet o al estructurar el baile como una «obra abierta», según teoretizaba