Manifest

Origins. In Experimentalism in Romanian Choreographic Art between the 60's and the 90's, published in 1997, Liana Tugearu made the following remarks: After a very short period of storing and decanting, a few young dancers broke away from the established companies

BALLET OPENING NIGHT AT THE NATIONAL ROMANIAN OPERA The two ballets staged by Alexa Mezincescu in her recent premiere on the boards of the National Romanian Opera in Bucharest, The Firebird and The Rite of Spring by Igor Stravinsky, marked, at the moment of their creation

Iaşi proved to be, for the second time, an excellent host for The Competition-Festival of choreographic creation with international participation, initiated last year by the ballet critic Dan Brezuleanu, the director of the Festival. The artists benefited from a modern

I am thinking first of all of what we can do ourselves. Through the program I am coordinating, initiated by Alexandru Dabija and energetically supported by Mrs. Dorina Lazăr, I intend to bring to the public's attention the situation of dance in Romania, be it classical,

Dance is the poetry of movement, the supreme poem of life because, more so than music, is Its direct manifestation… which does not speak, does not meditate, but only lives. by Hortensia Papadat-Bengescu (1876-1955)

In the Choreographer's Manifesto from 1935, Serge Lifar proposed a new word for the creator who invents and composes dance parts, that of choreauthor so that we could make a clear distinction between the one who creates (choreauthor), the one who stages again a ballet

Should we try to mark on the map of Europe the places where, during the last twenty years, the first Romanian ballet masters have been shining, whose names figure in international dictionaries of dance, we would have to cover the map from Stuttgart to the Canary Islands

Some time in the autumn of 1994, Sorin Alexandrescu asked in an interview in 22 magazine why, in the canonical battle between the various radical-democrat and nationalist structures of the opposition (and of the government), more attention is not paid to the real traditions

When Mark Twain published the elaborate account of his Old World tour, The Innocents Abroad, America was still young, as a nation, and not yet proud of its culture. To avoid any tasteless outcry of admiration, driven by the contact with the vestiges of lost civilizations

excerpts Chapter IIIThe Nature of the Being  (…) Anybody who knows this nation will agree that the Romanian is a born opponent. Whatever is proposed to him, his first reaction, the first temptation of his thought is to oppose it. But, strangely, his opposition does not

Chapter XII. The Current [1907] Psychological Traits of the Romanian PeopleAll foreigners that visited the Romanian countries were unpleasantly struck by the negative traits of our character. They don't care, says Mr. X. Marmier, for the name of their master. What they

I will begin by quoting myself. Talking about the polemics between two people whose intelligence and moral stature I admire (the polemics took place, in its major parts, in the very pages of the 22 magazine), I used to say with a certain regret and doubtfulness: On whose