Hidden

Nicolae Iorga And Music

It comes as no surprise that a genuinely encyclopedic spirit of Nicolae Iorga's caliber, conversant with history, literature, religion, church, army, commerce, education, trades, guilds, arts, etc. , etc. , should be passionate about music. His existence was markedly

The Cultural And Intellectual Life Of Bucharest

As a princely seat Bucharest was once, for the Romanian authorities, a citadel watched over by God just like Byzantium was for the Eastern Christian world. Then, naturally, it was also the place where scholars needed by the Prince's Chancellery made their studies. They

Report

About fifteen years ago, during the Brătianu Cabinet, I was editing 'The National Revolt'. It was an essentially combative paper, in strong opposition to the government. Our strength however lay not so much in the leading articles or in the polemic pieces as in

Vitoria Lipan

from The Hatchet I It is the mountain peasant's lot to earn his daily bread either with the axe or with the sheep hook. Those of them that work with the axe fell firs from the forest and take them to the Bistriţa; there they bind them together into rafts and float

Poem

Someone had to lovethe world's harmony, the hidden law of rhythms;someone had to be aloneand listen incessantly.   by Magda Isanos (1916-1944)

Mrs. T

From The Procrustean Bed Add to these criteria of a physical nature the old preconceived idea of talent. As is known, talent is discovered thus: a boy or a girl, choking with stage fright, before a long table at which a commission are sitting, start declaiming Gens Latina

The Filigree Of Genius

The Secret Correspondence between Mihai Eminescu and Veronica Micle Halfway through last year, a genuine editor's bomb was being thrown on our cultural market: the Polirom publishing house based in Iaşi had issued – and was launching on 15 June – a volume of secret

Considering The Woman Characters In A Concert Of Bach's Music And The Crumbling Of Values

I have meant to decompose and recompose the forms and the colors in order to prove and disclose their essence. Hortensia Papadat-Bengescu After a short story debut dominated by lyricism (Deep Waters, The Woman in front of the Mirror) and while trying (and managing) to

Lina

from A Concert of Bach's Music The Amzei Church had donned a festive appearance. People had started coming as early as three o'clock, and by four – the time of the ceremony – the street was crowded with carriages and automobiles. An archbishop was serving.

Fetiţa (Girlie)

I saw an ad in newspapers about a trip to the mountains and I got in without knowing anybody. About 30 of us crowded in a big race vehicle, so boys and girls, parcels, cigarette smoke, and jokes mixed up together at random. A certain Biţă was speaking in my ear untiringly.

Estera

from Requiem for Fools and Beasts That day, Estera did not come to the stadium, but the following two evenings she was there again; however, I did not pluck up enough courage to speak to her, and after overtaking me several times, she kept running about three hundred meters

Donna Alba

excerpts First of all I have to recall that moment of my life which was the origin of the incidents that I will evoke in these confessions. It was the instant – so dramatic to me – when I first saw Alba. But right in that moment, which twisted so many years that were