DRI

At nightfall, after a rather sultry day, in a small station on the Braşov-Cluj line in Transylvania, I was waiting for the express train to Budapest… I did not have to wait too long… the train arrived… I picked up my travelling bag and climbed into the nearest second

My friend Mr. Manolache Cuvidi is a well-known character in our society; he is a man of substance, his rather comfortable wealth has been earned through honest work; he's an intelligent and earnest fellow, an ideal husband and an ideal father of a family. Given so many

It's during the summer months, when public services open at 7 in the morning and close at 2 p. m. The night was sultry and now the sun has risen in the clear sky, threatening to scorch everything and everybody. Just think of what it it's going to be at noon? It

The thermometer stands at 33 centigrade in the shade. In the scorching heat, a coach stops in Patience Street at 11 A, at around three in the afternoon. A gentleman gets off the carriage and, at a sluggish pace, approaches the door with a marquee, then rings the doorbell.

There was once an old woman who had three sons, tall like steeples and of virtue mighty but dumb as fishes. The old woman had a plentiful household, with a fine piece of land, a stout manor and annexes, a vineyard and nice orchard, cattle and lots of poultry. Besides all

There is an old Romanian saying – Romanians are born poets. Judging by the amount of poetry produced in Romania in the past two centuries, there may be more to it than mere preconception. But although one may discover a fair number of gems upon reading it, and critics

Modernism has brought to paroxysm the need of personal mythologies, immanent to Western civilization. No wonder that some of the heroes and saints of the avant-garde came from those peripheral European territories still uncharted from a spiritual point of view. By the beginning

Simplicity is not an end in art, but one arrives at simplicity in spite of oneself, in approaching the real sense of things. Simplicity is at bottom complexity and one must be nourished on its essence to understand its significance. Catalog of Brâncuşi exhibition, Brummer

The history of world music has witnessed many spectacular overturns in the hierarchy of values, when names of purely local interest whose death was not even announced in an obituary (Johann Sebastian Bach) became world famous personalities a century later. Quite often, internationally

The Chimera, a sculpture carved in oak wood between 1915 and 1917-18, currently exhibited at the Philadelphia Museum of Art, has so far attracted but limited exegesis. Petru Comarnescu, in a conference held in Craiova in 1957, made reference to the body streamlined as to

In a holographic note drawn up in Romanian in the third person, Brâncuşi speaks about himself as about someone else and makes an important remark in connection with his relationship with materials. Turned down in 1910, he exhibited fully carved stone and marble for the

We think too often that a museum is a repository where you discard all sorts of objects. Arts, history, natural sciences, technology, curiosities. You place exhibits from all these domains into bright and spacious halls; you range them nicely one next to the other and sometimes