Cioran

by Emil Cioran (1911-1995)

El azar y la necesidad lograron que don Alejandro Cioranecu, rumano universal, recalara en las costas culturales y amistosas de Canarias hace casi cincuenta años. Asilo de un exiliado, Tenerife, acogedora de lo bueno que nos llega, le abrió los brazos y los archivos. La

Filólogos e historiadores de la Universidad de La Laguna glosaron a finales de febrero la figura del profesor Alejandro Cioranescu, doctor honoris causa del centro docente, fallecido en noviembre de 1999. Unos y otros alabaron la extensa obra del escritor rumano afincado

Me sucedió en esta vida la cosa más triste posible: de poeta he llegado a ser autor. Creo que fui un poeta verdadero alguna vez, en mi adolescencia, cuando aún no había publicado – y, salvo mi diario íntimo, tampoco había escrito – nada. Es mi estado ideal, perdido

Tengo ganas de escribir sólo cuando estoy en un estado explosivo, con fiebre o en crispación, en un estupor convertido en frenesí, en un clima de disputas en el cual las invectivas reemplazan las bofetadas y los golpes. Esto suele comenzar así: un leve temblor que va

B. Fundoianu began to publish persistently and regularly in 1918, when he was twenty; with the determination that characterized him, he embarked upon a tireless mission that took all the attributes of a vocation: that of a messenger of French – hence European – culture

I certainly am neither the first, nor the only person to notice that the fantastic appears as a distinctive feature of Nordic, non-Latin peoples, rather than of the meridional spirit. The solar, mercantile, skeptical-rationalist South, and the sanguine, outgoing, relativistic

The early-20th-century major Romanian art is not a block, but a very particular construction of intertwined cultural layers. One could not affirm that the most fertile and valuable Modern cultural period of this country was characterized by a certain, homogenous Romanian

The idea to bring together in one volume (be it even one issue of a prestigious publication) excerpts from the works of ethnic minority writers seems to me generous and even necessary. From the very beginning, one characteristic distinction appears useful to me. Since this

In Romania, no less than 18 minorities live alongside the majority population, having more or less weight. This has favored – especially in some cases – a very interesting and significant cultural melting pot process, the birth of an extremely rich and diversified cultural

The founder of the Theater of the Absurd (with The Bald Soprano, staged in 1950 by Nicolas Bataille at the Theatre des Noctambules in Paris, a play he had begun in the 40s while still in Romania under the title English without a Teacher), a member of the French Academy from

The threshold between the millenniums is an opportunity for evaluation: tributes, jubilees, festivals. Archives are being browsed, masterpieces are reappraised, and writings are redefined in the current context, then recirculated in today's competition. Everything becomes