CHISINAU

Visiting Recent History, a project organized by MATCA artspace from Cluj-Napoca (RO), aims to present a collective exhibition to be held at ȚOL Artist Run Space and a public discussion at Zpațiu (Casa Zemstvei) in Chișinău. The project connects countries that share

Between 14 – 28 September 2024 the project “Images of the Good Life in the East” will take place in Chișinău, organized by tranzit. ro/Bucharest in partnership with teatru-spălătorie, Ksak Association (Center for Contemporary Art Chișinău) and Bunker space,

At the General Assembly held in Bucharest on June 19-20, 2024, the President of the Romanian Cultural Institute, Liviu Jicman, took over the mandate of President of EUNIC – European Union National Institutes for Culture. EUNIC is the network of national cultural institutes

The General Assembly of EUNIC – European Union National Institutes for Culture will be held in Bucharest on 19-20 June 2024, bringing together the heads of cultural institutes from the European Union, members of the EUNIC network, which is the network of national cultural

Today, 28 October 2022, the National Theatre Mihai Eminescu in Chișinău hosted the closing conference of the MoldArte project, funded by EUNIC through the European Spaces of Culture program and organized by the Romanian Cultural Institute, in collaboration with the Goethe-Institute Bucharest,

RCI London brings to the fore the amazing classic guitar player Laurențiu Topală with a mesmerizing combination of original compositions and a daring selection of works by Luis de Narváez, Dan Andrei Aldea, Antonio Lauro, Jorge Cardoso and Leo Brouwer. The extraordinary

TABLE OF CONTENTS BUKOVINA – HISTORICAL AND SOCIAL PROCESSES Alexandrina Cernov, Education in Romanian throughout Ukraine Is in Danger / 7 DIALOGUES WITH THE BUKOVINIANS Ilie Luceac, A Consecutive Defender of the Romanian Folklore: Ioan Paulencu -

The Romanian Cultural Institute, a public body founded in 2003, is tasked with raising the profile of Romanian culture around the world. In order to achieve this, it spreads information and spearheads cultural projects involving Romanian artists and writers. Furthermore,

The early-20th-century major Romanian art is not a block, but a very particular construction of intertwined cultural layers. One could not affirm that the most fertile and valuable Modern cultural period of this country was characterized by a certain, homogenous Romanian

When I set out to New Zealand, I had a tape recorder and a tape with the bells from Putna monastery. And during the long flight, from Bucharest to Wellington – approximately 30 hours on the plane, plus two stopovers – I would listen to the bells from Putna and to the