Balcic

Lettre Internationale – toamna 2012, noul număr al prestigoasei reviste editate de Institutul Cultural Român împletește, în nota obișnuită a publicației, viziunea de ansamblu cu analiza atentă la detalii și nuanțe. De la criza rachetelor, din urmă cu o jumătate

Lucrarea apărută la Editura ICR este traducerea în limba engleză a remarcabilei monografii semnate de Balcica Moşescu-Măciucă. Mai mult decât un studiu substanțial, volumul oferă și o mărturie personală nutrită de legătura biografică intimă a autoarei cu

 „Creaţia bogată a lui Tibor Ernö s-a bucurat de-a lungul timpului de aprecierea celor care au scris despre opera sa şi i-au subliniat, în paginile ziarelor, trăsăturile distincte şi modernitatea, începând chiar cu prima lui expoziţie personală importantă

Sumar nr. 83 RetrospectiveMircea Malița: Criza rachetelorHerta Spuhn: Încrâncenare, sarcasm, speranțăGeo Șerban: Balcic - temă cu variațiuni*** Balcic - provocările priviriiDIALOG Lidia Vianu - C. G. Săndulescu: „11 - 33Dincolo de evenimentDIALOG Almantas Samalavicius

Absolvent al Academiei de Arte Frumoase din Bucureşti în anul 1931, la secţia de pictură, avându-i ca profesori pe Camil Ressu şi Constantin Artachino, Ion Popescu-Negreni aparţine Paradisului Pierdut al Picturii (formulă folosită de Andrei Pleşu cu referire la

The early-20th-century major Romanian art is not a block, but a very particular construction of intertwined cultural layers. One could not affirm that the most fertile and valuable Modern cultural period of this country was characterized by a certain, homogenous Romanian

excerptStanding in front of the Corso building on Calea Victoriei one day, he felt someone's familiar gaze follow him from across the street, as if to catch his eye. He crossed over, as though answering a call, and discovered a picture of Ann among several other portraits

Women artists (originally women-painters) became a reality in Romanian culture only by the turn of the 20th century. Barely having an artistic tradition of the western kind (that is, academic), the national cultural milieu in the 19th century was rather deprived of a professionally

January 5, 1940 On Monday I must get down to work seriously and consistently. Apart from this, my life has become unbearable. I don't know what the devil is the matter with me, I feel as if I were growing old and stupid. I suppose I have some obsessions of my own,

I don't know why I haven't written in here for so long. Weary of scrutinizing myself… But tonight I'm happy I've stayed in and read a book (Esquisse d'un traité du roman, Léon Bopp); I'm going to proofread City of Acacia Trees[i]. I've

Artists are wanderers par excellence. This is the case not only for the itinerant artists of the Middle Ages, those architects, stone-carvers, painters and stained-glass artists that moved their workshops all around Europe, building and embellishing cathedrals here and there.

Would you please not rank me among collectors, although I pretend I am a connaisseur, in the meaning of the French word, academician Victor Eftimiu told me on one occasion in 1965, seated on a bergère, clad in a night gown, rather worn down but adorned with fine embroidery,